Ouvrages
(coedited with Gerri Kimber) The Edinburgh Edition of the Collected Letters of Katherine Mansfield, in Four Volumes: Vols 1 and 2, Edinburgh: Edinburgh University Press, 2020-2. Volume 3 en cours.
(co-edited with Derek Ryan and Jane Goldman) Cross-Channel Modernisms Edinburgh : Edinburgh University Press, 2020.
(co-édité avec Gerri Kimber) The Complete Poems of Katherine Mansfield, Edinburgh: Edinburgh University Press, 2016.
(Coédité avec Gerri Kimber) The Edinburgh Edition of the Collected Works of Katherine Mansfield, in Four Volumes, vol. 4, Edinburgh: Edinburgh University Press, 2016.
(Coédité avec Gerri Kimber) Katherine Mansfield’s French Lives, Amsterdam: Brill-Rodopi, 2016.
(Co-direction avec Anne-Marie Smith-Di Biasio) Trans-Woolf: Translating Woolf – Woolf in Translation, Perugia: Morlacchi Press (associated with Perugia University Press, 2017.
(Co-direction avec Alexandra Bequet), Cosmopolis: Ford Madox Ford and the Cultures of Paris, (International Ford Madox Ford Studies), vol. 15, Rodopi–Brill, 2016.
Davison, Claire, Translation as Collaboration: Virginia Woolf, Katherine Mansfield and S. S. Koteliansky, Edinburgh: Edinburgh University Press (2014)
Davison, Claire & Anne-Marie Smith-Di Biasio (ed.) (2014) A Contemporary Woolf, Collection Present Perfect, Montpellier: Presses universitaires de la Méditerranée.
Provence and the British Imagination, (ed. Claire Davison, Beatrice Laurent, Caroline Patey and Nathalie Vanfasse), Milan: Di Segni, 2013. (ISBN: 978-88-6705-137-3)
Davison, Claire & Dominique Lemarchal (ed.) (2011), Ford Madox Ford, France and Provence, Amsterdam: Rodopi, pp. 290. Davison, Claire, (trad) (2014), Ernestine Carreira, Globalising Goa, Panaji: Broadway Press.
Articles récents
‘More Anon? Virginia Woolf and the Lyrical Mode of Translating’ in The Oxford Handbook of Virginia Woolf, ed. Anne E. Fernald, Oxford: Oxford University Press, 2021.
‘Worlds and Words in Music: Katherine Mansfield’s Literary Apprenticeship’ in The Bloomsbury Companion to Katherine Mansfield, ed. Todd Martin, London: Continuum Press, 2020.
‘European Peace in Pieces? Woolf, Music and the Radiophonic Imagination’ in Virginia Woolf, Peace and Europe, in 2 vols, eds Derek Ryan, Patricia, Peter, Ariane, Clemson University Press, 2020.
‘Making a Song and Dance of It: Staging Diplomacy in William Gerhardi’s Early Novels’ in The European Novel of Diplomacy 1900 – 1970, eds Allan Hepburn and Isabelle Daunais, Montreal: University of McGill Press, 2020.
“Non-census feminism? – Ethel Smyth, Virginia Woolf and the ‘Burning of Votes Boats, etc.’” dans Feminist Woolf: New Perspectives on Woolf’s Resistance to Feminism, ed. Nicolas Boileau, dans Etudes Britanniques contemporaines, 58:2, 2020.
‘Revelling in Polyphonics: The Musical Worlds of Louis MacNeice’s Radio Plays’ in Memoranda to MacNeice: New Readings, ed. Anne Goarzin and Cliona Ni Riordain, Rennes: Presses universitaires de Rennes, 2019.
‘Ancestral Voices Pacifying War? Transnationalising Modernism on the BBC, 1939–1945, in Borders of Modernism, eds. Massimiliano Tortora and Annalisa Volpone, Perugia: Morlacchi Editore, 2019.
‘Overlapping Intimacies: Russian Fever, Domestic Morale and the BBC Home Service 1941–45’, in Modernist Intimacy, ed. Elsa Högberg, Edinburgh: Edinburgh University Press, 2018.
‘On Unknowing French? Rhythm and Le Rythme on a Cross-Channel Exchange’ in Cross-Channel Modernisms, eds Claire Davison, Jane Goldman and Derek Ryan, Edinburgh: Edinburgh University Press, 2019.
“‘Figure in the music’: Worlds of Sound in Louis MacNeice’s Early Radio Plays”, in Delia da Sousa Correa (ed), The Edinburgh Companion to Words and Music, Edinburgh: Edinburgh University Press, 2019.
“ ‘Aerial creations of the poets’? – New Biography and the BBC in the 1930s” in A Companion to Literary Biography, ed. Richard Bradford, Oxford: Blackwell, 2018.
“ ‘Hearing the World ‘in Full Orchestra’: Voyaging Out with Woolf, Darwin and Music’, Woolf Studies Annual, Vol. 23, edited by Mark Hussey, New York, 2017, pp. 1 – 32.
“Outside in, or l’entre deux – Elsa Triolet’s early fiction in French” in Peter Barta and Phil Powry (eds), Britain and France in Bi-Cultural Production, Routledge, 2015 (forthcoming).
“‘Figure in the music’: Worlds of Sound in Louis MacNeice’s Early Radio Plays”, in Delia da Sousa Correa (ed), The Edinburgh Companion to Words and Music, Edinburgh 2015 (forthcoming)
“Introduction”, The Collected Works of Katherine Mansfield Vol. 3 – Poetry and Critical Writings, eds. Gerri Kimber and Angela Smith, Edinburgh University Press, 2014.
“Bilinguals and Bi-optics: Virginia Woolf and the Outlandishness of Translation” in Virginia Woolf: Twenty-First Century Perspectives, ed. J. Dubino, G. Lowe, V. Neverow and K. Simpson, Edinburgh: Edinburgh University Press, 2014
“ ‘Liaisons continentales’: Katherine Mansfield, S. S. Koteliansky and the Art of Modernist Translation, Katherine Mansfield : European Connections and Influences, ed. Gerri Kimber & Janka Kascakovo, Palgrave – Macmillan, 2014.
“Virginia Woolf and the Russian Oxymoron”, A Contradictory Woolf, ed. Derek Ryan and Stella Bolaki, Clemson SC: Clemson University Press, 2012.
“Historically Challenged : Louis MacNeice’s Impure Propaganda and Radio’s Finest Hour”, in Autonomy and Commitment in Modernist Arts ed. Christine Reynier et J.-M. Ganteau, Montpellier: Presses universitaires de la Méditerranée, 2012.
“S.S.Koteliansly and British Modernism” in Translating Russia, 1890 – 1935, ed. Rebecca Beasley and Philip Bullock, Translation and Literature, Vol 20 Part 3, Autumn 2011, Edinburgh University Press.